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The Climate-Conscious Writer
Wren James

  Having worked with hundreds of climate writers over the last five years, the climate fiction I see is mainly dystopian, focusing on the negative effects of climate change without offering proactive solutions. Rather than encouraging action, stories like these make readers shut down and feel anxious. I would love to see more books that […]

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Wren James

How Stories Lead to Action 
Denise Baden 

  Stories both reflect and influence our values and behaviours. How characters behave, what they think and do and feel, and importantly, what they don’t think about or don’t bother doing, sets the cultural landscape against which we judge our own actions and those of others. This makes fictional role models the ultimate influencers – […]

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Denise Baden 

Paddling Pool
Claire Carroll

  It’s not unethical to buy one, despite what some people say. Sure, there’s too much plastic in the world, too much material, too many petrochemicals, but no one has told us definitively that it’s not OK. They would have banned them, anyway. It’s completely fine if you want to walk to the hypermarket to […]

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Claire Carroll

Emissaries from the Postworld
Katharine Haake

  Emissaries from the Postworld: Account F   One day a flower appeared where nothing ever was before. It had been so long since any one of us had seen a thing we weren’t sure what to call it at first. Um, one said. A-hem, another said. Until one of us arrived at the word: […]

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Katharine Haake

FLASH FICTION COMPETITION
Writing Thrutopia

  Our mission at Writers Rebel is to motivate writers not only to write about the climate emergency, but to get their work into the world and begin to enrage, engage and inspire readers. Because in order to navigate the crisis and change the business-as-usual narrative of our politicians and mainstream media, we need first […]

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Writing Thrutopia

STRANGER THAN FICTION 
Melissa Gismondi

  A few weeks ago, I was working on a story which features a character overwhelmed at the crises facing our world. I typed the words livable future because I wanted the character to engage with the absurdity of such a phrase, the fact that the possibility of it is still — shockingly — up […]

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Melissa Gismondi