{"id":2715,"date":"2021-04-01T08:00:05","date_gmt":"2021-04-01T07:00:05","guid":{"rendered":"https:\/\/writersrebel.com\/?p=2715"},"modified":"2021-04-26T18:26:53","modified_gmt":"2021-04-26T17:26:53","slug":"q-a-with-paul-evans-editor-of-poetry-rebellion-poetry-and-prose-to-rewild-the-spirit","status":"publish","type":"post","link":"https:\/\/writersrebel.com\/q-a-with-paul-evans-editor-of-poetry-rebellion-poetry-and-prose-to-rewild-the-spirit\/","title":{"rendered":"Q & A with Paul Evans, Editor of Poetry Rebellion<\/span>Including featured poems<\/span>"},"content":{"rendered":"

Poetry Rebellion<\/em> is described as poems and prose to “rewild the spirit.” Can you tell us a little more about the anthology, what brought it about and who is in it? What was your criteria for selecting contributors?\u00a0<\/b><\/p>\n

Batsford Books, part of Pavilion Books that published my How To See Nature<\/i>, asked if I\u2019d like to edit a poetry anthology. I jumped at the opportunity to contribute something to the idea of cultural rewilding, to talk about how literature reaches the soul (like birdsong), and how this may inspire a rebellion against forces the ranged against Nature. I began with poems that influenced me and the rest was serendipity. I wanted a diversity of voices, times and places so it includes Allen Ginsberg, John Clare, Mary Webb, Jean Binta Breeze, Andrew McMillan, Dogen Zenji, Mia Cunningham, Oodgeroo Noonuccal, Jean\u2013Joseph Rabearivelo, Emily Dickinson, Helen Mort\u2026..
\n<\/b>
\n<\/b>The collection has been described as a “sanctuary in which to find solace from environmental grief and a manual for psychic resistance in the war against Nature.” How do you think poetry can help us process our grief and rage at the war against Nature?<\/b><\/p>\n

I think I want to voice grief and rage at the war against Nature rather than \u2018process\u2019 it as a kind of amelioration. There is literature that provides a refuge, an embracing sense of wonder, and a restorative sanctuary from the brutal realities of human life: Nature as rehab. But I\u2019m also interested in a literature inspired by<\/i> Nature which leads to action in support of<\/i> Nature: a poetry that helps us face our fear of Nature\u2019s answering violence.<\/p>\n

Our perception and relationship to Nature has changed profoundly, from the pre-Romantics, to the Romantic apprehension of the sublime in Nature as a reaction against Industrialisation, to Modernist negotiations with the relationship between Nature and technology and so on. If it isn’t too broad and general a question, how has our representation of Nature changed in recent years? Did you notice any trends or changes as you compiled this collection?<\/b><\/p>\n

I watched a spotted flycatcher on a fence, snipping gnats from the air, flitting between posts – post-human, post-pastoral, post-secular, post-postmodern, post-nature\u2026<\/p>\n

How might poetry give us the courage to rebel against the forces arrayed against the Earth?\u00a0<\/b><\/p>\n

Pablo Neruda says \u201call poetry is rebellion\u201d – poetry is in the songs we sing to ourselves to face the fear of ourselves, the songs we sing with each other to face the fear of each other, the songs we sing to Nature to face our fear of Nature. Poetry can dare more than it can hope. As we\u2019ve seen recently, the forces arrayed against the Earth are also those oppressing us. We can turn that strength against them.<\/p>\n

Do you have a vision for a regenerative future? How might poetry help us get back in touch with Nature?<\/b><\/p>\n

\u2018Poetry is a quality of language, just as wild is a quality of Nature. There is also an emotional ecosystem into which the rebel poem, a conjured animal, is reintroduced to sniff out the spirits and inspire a wild resistance\u2026\u2019 I don\u2019t know about the future but what we do now will shape it in ways we cannot foresee.<\/b><\/p>\n

 <\/p>\n

 <\/p>\n

Extracts from Poetry Rebellion: Poems and Prose to Rewild the Spirit<\/i>, edited by Paul Evans.
\n<\/strong><\/h2>\n

 <\/p>\n

Her<\/strong><\/em><\/p>\n

Mia Cunningham<\/strong><\/h5>\n

 <\/p>\n

Citrus and social status,
\nwafted around rooms where politics had never been spoken before.<\/p>\n

Sage cleaned the air in classrooms where systems had never
\nchanged laws.<\/p>\n

The children of this Earth growling and
\ngrowing ready for change,
\ntheir mother\u2019s prepared them since the days when the sea was our
\nhome and soil our stage.<\/p>\n

She made us watch the world burn.
\nThis was our punishment.
\nAnd our collective mother suffocated,<\/p>\n

as scabs appeared on tree branches,
\nas wounds opened on mountain ranges,<\/p>\n

as wildlife was encased in fire fortresses
\nthis was a riot, a battle, a protest.<\/p>\n

She sent messages in bottles,
\nand texts, a love letter addressed to you.<\/p>\n

We chose to ignore her all-encompassing rage.
\nso we named her once and for all,
\nClimate Change.<\/p>\n

 <\/p>\n

Mountain<\/em><\/strong><\/p>\n

Helen Mort<\/strong><\/h5>\n

 <\/p>\n

You are very successful
\nbut you have rocks in your chest,<\/p>\n

skin-coloured sandstone
\nwedged where your breasts should be.<\/p>\n

Your stomach is a boulder.
\nTo hold you up, your legs grow stony too.<\/p>\n

You zip your jacket up
\nand nobody notices you are a mountain.<\/p>\n

You buy coffee,
\nrun board meetings where no-one says<\/p>\n

you are dry rock
\nbut above your head, their talk is weather,<\/p>\n

your eyes collect new rain
\nand you know what you are because<\/p>\n

like any hillside
\nyou don\u2019t sleep. Your feet could hold you here<\/p>\n

forever but your sides
\nare crumbling, and when you speak<\/p>\n

your words are rockfall, you\u2019re
\nscared your heart is tumbling from your mouth.<\/p>\n

 <\/p>\n

Against Metaphor\u00a0<\/em><\/strong><\/p>\n

Nikolai Duffy<\/strong><\/h5>\n

 <\/p>\n

1 Waterboard<\/strong><\/p>\n

Let me tell you how the rains come
\nand how the world goes down
\nover time and in water, how<\/p>\n

when the ground sinks
\nwebbed feet are an advantage
\nand gills even more so;<\/p>\n

how, under water, the body\u2019s
\nfirst instinct is to hold its breath
\nbefore oxygen levels run so low
\nthe body senses the imminence<\/p>\n

of death and, despite itself, breathes
\nin water; how water enters the mouth,<\/p>\n

windpipe, and floods the lungs, how
\nthis keeps happening, how they
\ntorture people this way, and call it<\/p>\n

waterboarding; how one thing, always,
\nis connected to another, how torture
\nlinks to refugees drowning at sea.<\/p>\n

 <\/p>\n

2 Refuge<\/strong><\/p>\n

How subtle the wind. When
\nthe first waves came most
\npeople had no choice but<\/p>\n

to be already standing, cheek
\nto jowl. Over four nights, three
\nrowing boats sunk, 118 people,<\/p>\n

the bloat of bodies into blue
\nand bruise and rotting, money
\nsealed in plastic and sewn<\/p>\n

into linings, whole families killed
\nby wave, debris, and then later,
\nbureaucracy, bullet and blunt<\/p>\n

instrument, the aftermath
\nmore perilous and prolonged.<\/p>\n

 <\/p>\n

Andrew McMillan<\/strong><\/h5>\n
\"\"<\/h5>\n

 <\/p>\n

Paul Evans<\/strong> is a wanderer of woods, nature writer and senior lecturer in creative writing in the Manchester Writing School, Manchester Metropolitan University. He is best known as a contributor of Country Diaries for The Guardian; as a writer and presenter of natural history documentaries, place-based features, radio poems and docu-dramas on BBC Radio 4. His books are:\u00a0Herbaceous<\/i>, (Little Toller, 2014),\u00a0Field Notes from the Edge: Journeys Through Britain\u2019s Secret Wilderness<\/i>, (Rider Books, 2015) , How to See Nature\u00a0<\/i>(Batsford, 2018); and he edited Poetry Rebellion\u00a0<\/i>(Batsford, 2021). His background is in the nature conservation movement, horticulture in the UK and USA, and performance poetry in Britain and New York. He has a PhD in philosophy and lives in Much Wenlock, Shropshire.<\/p>\n","protected":false},"excerpt":{"rendered":"

Poetry Rebellion is described as poems and prose to “rewild the spirit.” Can you tell us a little more about the anthology, what brought it about and who is in it? What was your criteria for selecting contributors?\u00a0 Batsford Books, part of Pavilion Books that published my How To See Nature, asked if I\u2019d like […]<\/p>\n

Read More… from Q & A with Paul Evans, Editor of Poetry Rebellion<\/span>Including featured poems<\/span><\/span><\/a><\/p>\n","protected":false},"author":13,"featured_media":2717,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4,1],"tags":[],"yoast_head":"\nQ & A with Paul Evans, Editor of Poetry Rebellion - Writers Rebel<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/writersrebel.com\/q-a-with-paul-evans-editor-of-poetry-rebellion-poetry-and-prose-to-rewild-the-spirit\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Q & A with Paul Evans, Editor of Poetry Rebellion - Writers Rebel\" \/>\n<meta property=\"og:description\" content=\"Poetry Rebellion is described as poems and prose to “rewild the spirit.” Can you tell us a little more about the anthology, what brought it about and who is in it? 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